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\input texinfo @c -*- texinfo -*-
@settitle FFmpeg Documentation
@titlepage
@sp 7
@center @titlefont{FFmpeg Documentation}
@sp 3
@end titlepage
@chapter Introduction
FFmpeg is a very fast video and audio converter. It can also grab from
a live audio/video source.
The command line interface is designed to be intuitive, in the sense
that FFmpeg tries to figure out all parameters that can possibly be
derived automatically. You usually only have to specify the target
bitrate you want.
FFmpeg can also convert from any sample rate to any other, and resize
video on the fly with a high quality polyphase filter.
@chapter Quick Start
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@c man begin EXAMPLES
@section Video and Audio grabbing
FFmpeg can grab video and audio from devices given that you specify the input
format and device.
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ffmpeg -f oss -i /dev/dsp -f video4linux2 -i /dev/video0 /tmp/out.mpg
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Note that you must activate the right video source and channel before
launching FFmpeg with any TV viewer such as xawtv
(@url{http://bytesex.org/xawtv/}) by Gerd Knorr. You also
have to set the audio recording levels correctly with a
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standard mixer.
ffmpeg -f x11grab -s cif -i :0.0 /tmp/out.mpg
0.0 is display.screen number of your X11 server, same as
the DISPLAY environment variable.
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@example
ffmpeg -f x11grab -s cif -i :0.0+10,20 /tmp/out.mpg
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@end example
0.0 is display.screen number of your X11 server, same as the DISPLAY environment
variable. 10 is the x-offset and 20 the y-offset for the grabbing.
@section Video and Audio file format conversion
* FFmpeg can use any supported file format and protocol as input:
ffmpeg -i /tmp/test%d.Y /tmp/out.mpg
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/tmp/test0.Y, /tmp/test0.U, /tmp/test0.V,
/tmp/test1.Y, /tmp/test1.U, /tmp/test1.V, etc...
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The Y files use twice the resolution of the U and V files. They are
raw files, without header. They can be generated by all decent video
decoders. You must specify the size of the image with the @option{-s} option
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ffmpeg -i /tmp/test.yuv /tmp/out.avi
test.yuv is a file containing raw YUV planar data. Each frame is composed
of the Y plane followed by the U and V planes at half vertical and
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horizontal resolution.
ffmpeg -i mydivx.avi hugefile.yuv
@end example
* You can set several input files and output files:
@example
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ffmpeg -i /tmp/a.wav -s 640x480 -i /tmp/a.yuv /tmp/a.mpg
@end example
Converts the audio file a.wav and the raw YUV video file a.yuv
to MPEG file a.mpg.
* You can also do audio and video conversions at the same time:
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ffmpeg -i /tmp/a.wav -ar 22050 /tmp/a.mp2
@end example
Converts a.wav to MPEG audio at 22050Hz sample rate.
* You can encode to several formats at the same time and define a
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mapping from input stream to output streams:
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ffmpeg -i /tmp/a.wav -ab 64k /tmp/a.mp2 -ab 128k /tmp/b.mp2 -map 0:0 -map 0:0
@end example
Converts a.wav to a.mp2 at 64 kbits and to b.mp2 at 128 kbits. '-map
file:index' specifies which input stream is used for each output
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stream, in the order of the definition of output streams.
* You can transcode decrypted VOBs
@example
ffmpeg -i snatch_1.vob -f avi -vcodec mpeg4 -b 800k -g 300 -bf 2 -acodec libmp3lame -ab 128k snatch.avi
@end example
This is a typical DVD ripping example; the input is a VOB file, the
output an AVI file with MPEG-4 video and MP3 audio. Note that in this
command we use B-frames so the MPEG-4 stream is DivX5 compatible, and
GOP size is 300 which means one intra frame every 10 seconds for 29.97fps
input video. Furthermore, the audio stream is MP3-encoded so you need
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to enable LAME support by passing @code{--enable-libmp3lame} to configure.
The mapping is particularly useful for DVD transcoding
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to get the desired audio language.
NOTE: To see the supported input formats, use @code{ffmpeg -formats}.
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@c man end
@chapter Invocation
@section Syntax
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The generic syntax is:
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@c man begin SYNOPSIS
ffmpeg [[infile options][@option{-i} @var{infile}]]... @{[outfile options] @var{outfile}@}...
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@c man end
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@c man begin DESCRIPTION
As a general rule, options are applied to the next specified
file. Therefore, order is important, and you can have the same
then applied to the next input or output file.
@example
ffmpeg -i input.avi -b 64k output.avi
@end example
* To force the frame rate of the input and output file to 24 fps:
@example
ffmpeg -r 24 -i input.avi output.avi
@end example
* To force the frame rate of the output file to 24 fps:
@example
ffmpeg -i input.avi -r 24 output.avi
@end example
* To force the frame rate of input file to 1 fps and the output file to 24 fps:
@example
ffmpeg -r 1 -i input.avi -r 24 output.avi
@end example
The format option may be needed for raw input files.
By default, FFmpeg tries to convert as losslessly as possible: It
uses the same audio and video parameters for the outputs as the one
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specified for the inputs.
@c man end
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@c man begin OPTIONS
@section Main options
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@table @option
@item -version
Show version.
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@item -formats
Restrict the transcoded/captured video sequence
to the duration specified in seconds.
@code{hh:mm:ss[.xxx]} syntax is also supported.
@item -fs limit_size
Set the file size limit.
@item -ss position
Seek to given time position in seconds.
@code{hh:mm:ss[.xxx]} syntax is also supported.
@item -itsoffset offset
Set the input time offset in seconds.
@code{[-]hh:mm:ss[.xxx]} syntax is also supported.
This option affects all the input files that follow it.
The offset is added to the timestamps of the input files.
Specifying a positive offset means that the corresponding
streams are delayed by 'offset' seconds.
@item -timestamp time
Set the timestamp.
@item -album string
Set the album.
@item -track number
Set the track.
@item -year number
Set the year.
@item -v number
Set the logging verbosity level.
Specify target file type ("vcd", "svcd", "dvd", "dv", "dv50", "pal-vcd",
"ntsc-svcd", ... ). All the format options (bitrate, codecs,
buffer sizes) are then set automatically. You can just type:
@example
ffmpeg -i myfile.avi -target vcd /tmp/vcd.mpg
@end example
Nevertheless you can specify additional options as long as you know
they do not conflict with the standard, as in:
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@example
ffmpeg -i myfile.avi -target vcd -bf 2 /tmp/vcd.mpg
@end example
@item -dframes number
Set the number of data frames to record.
@item -scodec codec
Force subtitle codec ('copy' to copy stream).
@item -newsubtitle
Add a new subtitle stream to the current output stream.
@item -slang code
Set the ISO 639 language code (3 letters) of the current subtitle stream.
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@end table
@section Video Options
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@table @option
@item -b bitrate
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Set the video bitrate in bit/s (default = 200 kb/s).
@item -vframes number
Set the number of video frames to record.
Set frame rate (Hz value, fraction or abbreviation), (default = 25).
Set frame size. The format is @samp{wxh} (ffserver default = 160x128, ffmpeg default = same as source).
@item sqcif
128x96
@item qcif
176x144
@item cif
352x288
@item 4cif
704x576
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@item qqvga
160x120
@item qvga
320x240
@item vga
640x480
@item svga
800x600
@item xga
1024x768
@item uxga
1600x1200
@item qxga
2048x1536
@item sxga
1280x1024
@item qsxga
2560x2048
@item hsxga
5120x4096
@item wvga
852x480
@item wxga
1366x768
@item wsxga
1600x1024
@item wuxga
1920x1200
@item woxga
2560x1600
@item wqsxga
3200x2048
@item wquxga
3840x2400
@item whsxga
6400x4096
@item whuxga
7680x4800
@item cga
320x200
@item ega
640x350
@item hd480
852x480
@item hd720
1280x720
@item hd1080
1920x1080
Set aspect ratio (4:3, 16:9 or 1.3333, 1.7777).
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@item -padtop size
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@item -padbottom size
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@item -padleft size
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@item -padright size
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@item -padcolor (hex color)
Set color of padded bands. The value for padcolor is expressed
as a six digit hexadecimal number where the first two digits
represent red, the middle two digits green and last two digits
blue (default = 000000 (black)).
Set video bitrate tolerance (in bit/s).
Set max video bitrate (in bit/s).
Set min video bitrate (in bit/s).
Force video codec to @var{codec}. Use the @code{copy} special value to
Use same video quality as source (implies VBR).
Select the pass number (1 or 2). It is useful to do two pass
encoding. The statistics of the video are recorded in the first
pass and the video is generated at the exact requested bitrate
in the second pass.
@item -newvideo
Add a new video stream to the current output stream.
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@table @option
@item -pix_fmt format
Set pixel format. Use 'list' as parameter to show all the supported
pixel formats.
@item -sws_flags flags
Set SwScaler flags (only available when compiled with SwScaler support).
@item -vdt n
Discard threshold.
Use fixed video quantizer scale (VBR).
maximum difference between the quantizer scales (VBR)
video quantizer scale compression (VBR)
@item -lmin lambda
minimum video lagrange factor (VBR)
@item -lmax lambda
max video lagrange factor (VBR)
@item -mblmin lambda
minimum macroblock quantizer scale (VBR)
@item -mblmax lambda
maximum macroblock quantizer scale (VBR)
These four options (lmin, lmax, mblmin, mblmax) use 'lambda' units,
but you may use the QP2LAMBDA constant to easily convert from 'q' units:
@example
ffmpeg -i src.ext -lmax 21*QP2LAMBDA dst.ext
@end example
Set rate control equation (@pxref{FFmpeg formula
evaluator}) (default = @code{tex^qComp}).
@item -rc_override override
rate control override for specific intervals
Set motion estimation method to @var{method}.
Available methods are (from lowest to best quality):
@item epzs
(default method)
@item full
exhaustive search (slow and marginally better than epzs)
@end table
@item -dct_algo algo
Set DCT algorithm to @var{algo}. Available values are:
@table @samp
@item 0
FF_DCT_AUTO (default)
@item 1
FF_DCT_FASTINT
@item 2
FF_DCT_INT
@item 3
FF_DCT_MMX
@item 4
FF_DCT_MLIB
@item 5
FF_DCT_ALTIVEC
@end table
@item -idct_algo algo
Set IDCT algorithm to @var{algo}. Available values are:
@table @samp
@item 0
FF_IDCT_AUTO (default)
@item 1
@item 3
FF_ER_AGGRESSIVE
@item 4
FF_ER_VERY_AGGRESSIVE
@end table
Set error concealment to @var{bit_mask}. @var{bit_mask} is a bit mask of
Use 'frames' B-frames (supported for MPEG-1, MPEG-2 and MPEG-4).
@item -mbd mode
macroblock decision
@table @samp
@item 0
FF_MB_DECISION_SIMPLE: Use mb_cmp (cannot change it yet in FFmpeg).
FF_MB_DECISION_BITS: Choose the one which needs the fewest bits.
Use four motion vector by macroblock (MPEG-4 only).
Work around encoder bugs that are not auto-detected.
@item -ilme
Force interlacing support in encoder (MPEG-2 and MPEG-4 only).
Use this option if your input file is interlaced and you want
to keep the interlaced format for minimum losses.
The alternative is to deinterlace the input stream with
@option{-deinterlace}, but deinterlacing introduces losses.
Dump video coding statistics to @file{vstats_HHMMSS.log}.
@item -vstats_file file
Dump video coding statistics to @var{file}.
Insert video processing @var{module}. @var{module} contains the module
@item -top n
top=1/bottom=0/auto=-1 field first
@item -dc precision
Intra_dc_precision.
@item -vtag fourcc/tag
Force video tag/fourcc.
@item -qphist
Show QP histogram.
@item -vbsf bitstream filter
Bitstream filters available are "dump_extra", "remove_extra", "noise".
@end table
@section Audio Options
@table @option
@item -aframes number
Set the number of audio frames to record.
Set the audio sampling frequency (default = 44100 Hz).
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Set the audio bitrate in bit/s (default = 64k).
Set the number of audio channels (default = 1).
Force audio codec to @var{codec}. Use the @code{copy} special value to
specify that the raw codec data must be copied as is.
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@item -newaudio
Add a new audio track to the output file. If you want to specify parameters,
do so before @code{-newaudio} (@code{-acodec}, @code{-ab}, etc..).
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Mapping will be done automatically, if the number of output streams is equal to
the number of input streams, else it will pick the first one that matches. You
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can override the mapping using @code{-map} as usual.
Example:
@example
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ffmpeg -i file.mpg -vcodec copy -acodec ac3 -ab 384k test.mpg -acodec mp2 -ab 192k -newaudio
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@end example
@item -alang code
Set the ISO 639 language code (3 letters) of the current audio stream.
@end table
@section Advanced Audio options:
@table @option
@item -atag fourcc/tag
Force audio tag/fourcc.
@item -absf bitstream filter
Bitstream filters available are "dump_extra", "remove_extra", "noise", "mp3comp", "mp3decomp".
@end table
@section Subtitle options:
@table @option
@item -scodec codec
Force subtitle codec ('copy' to copy stream).
@item -newsubtitle
Add a new subtitle stream to the current output stream.
@item -slang code
Set the ISO 639 language code (3 letters) of the current subtitle stream.
@end table
@section Audio/Video grab options
@table @option
@item -vc channel
@item -isync
Synchronize read on input.
@end table
@section Advanced options
@table @option
@item -map input stream id[:input stream id]
Set stream mapping from input streams to output streams.
Just enumerate the input streams in the order you want them in the output.
[input stream id] sets the (input) stream to sync against.
@item -map_meta_data outfile:infile
Set meta data information of outfile from infile.
@item -hex
When dumping packets, also dump the payload.
Only use bit exact algorithms (for codec testing).
Read input at native frame rate. Mainly used to simulate a grab device.
Loop over the input stream. Currently it works only for image
streams. This option is used for automatic FFserver testing.
@item -loop_output number_of_times
Repeatedly loop output for formats that support looping such as animated GIF
@item -threads count
Thread count.
@item -vsync parameter
Video sync method. Video will be stretched/squeezed to match the timestamps,
it is done by duplicating and dropping frames. With -map you can select from
which stream the timestamps should be taken. You can leave either video or
audio unchanged and sync the remaining stream(s) to the unchanged one.
@item -async samples_per_second
Audio sync method. "Stretches/squeezes" the audio stream to match the timestamps,
the parameter is the maximum samples per second by which the audio is changed.
-async 1 is a special case where only the start of the audio stream is corrected
without any later correction.
@item -copyts
Copy timestamps from input to output.
@item -shortest
Finish encoding when the shortest input stream ends.
@item -dts_delta_threshold
Timestamp discontinuity delta threshold.
@item -muxdelay seconds
Set the maximum demux-decode delay.
@item -muxpreload seconds
Set the initial demux-decode delay.
@node FFmpeg formula evaluator
@section FFmpeg formula evaluator
When evaluating a rate control string, FFmpeg uses an internal formula
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The following binary operators are available: @code{+}, @code{-},
@code{*}, @code{/}, @code{^}.
The following unary operators are available: @code{+}, @code{-},
@code{(...)}.
The following functions are available:
@table @var
@item sinh(x)
@item cosh(x)
@item tanh(x)
@item sin(x)
@item cos(x)
@item tan(x)
@item exp(x)
@item log(x)
@item squish(x)
@item gauss(x)
@item abs(x)
@item max(x, y)
@item min(x, y)
@item gt(x, y)
@item lt(x, y)
@item eq(x, y)
@item bits2qp(bits)
@item qp2bits(qp)
@end table
The following constants are available:
@table @var
@item PI
@item E
@item iTex
@item pTex
@item tex
@item mv
@item fCode
@item iCount
@item mcVar
@item var
@item isI
@item isP
@item isB
@item avgQP
@item qComp
@item avgIITex
@item avgPITex
@item avgPPTex
@item avgBPTex
@item avgTex
@end table
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@c man end
@ignore
@setfilename ffmpeg
@settitle FFmpeg video converter
@c man begin SEEALSO
ffserver(1), ffplay(1) and the HTML documentation of @file{ffmpeg}.
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@c man end
@c man begin AUTHOR
Fabrice Bellard
@c man end
@end ignore
@section Protocols
The filename can be @file{-} to read from standard input or to write
to standard output.
FFmpeg also handles many protocols specified with an URL syntax.
Use 'ffmpeg -formats' to see a list of the supported protocols.
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The protocol @code{http:} is currently used only to communicate with
FFserver (see the FFserver documentation). When FFmpeg will be a
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video player it will also be used for streaming :-)
@chapter Tips
@itemize
@item For streaming at very low bitrate application, use a low frame rate
and a small GOP size. This is especially true for RealVideo where
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the Linux player does not seem to be very fast, so it can miss
frames. An example is:
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ffmpeg -g 3 -r 3 -t 10 -b 50k -s qcif -f rv10 /tmp/b.rm
@end example
@item The parameter 'q' which is displayed while encoding is the current
quantizer. The value 1 indicates that a very good quality could
be achieved. The value 31 indicates the worst quality. If q=31 appears
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too often, it means that the encoder cannot compress enough to meet
your bitrate. You must either increase the bitrate, decrease the
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frame rate or decrease the frame size.
@item If your computer is not fast enough, you can speed up the
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compression at the expense of the compression ratio. You can use
'-me zero' to speed up motion estimation, and '-intra' to disable
motion estimation completely (you have only I-frames, which means it
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is about as good as JPEG compression).
@item To have very low audio bitrates, reduce the sampling frequency
(down to 22050 kHz for MPEG audio, 22050 or 11025 for AC3).
@item To have a constant quality (but a variable bitrate), use the option
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'-qscale n' when 'n' is between 1 (excellent quality) and 31 (worst
quality).
@item When converting video files, you can use the '-sameq' option which
uses the same quality factor in the encoder as in the decoder.
It allows almost lossless encoding.
@end itemize
@bye