ffmpeg-doc.texi

\input texinfo @c -*- texinfo -*-

@settitle FFmpeg Documentation
@titlepage
@sp 7
@center @titlefont{FFmpeg Documentation}
@sp 3
@end titlepage


@chapter Introduction

FFmpeg is a very fast video and audio converter. It can also grab from
a live audio/video source.

The command line interface is designed to be intuitive, in the sense
that FFmpeg tries to figure out all parameters that can possibly be
derived automatically. You usually only have to specify the target
bitrate you want.

FFmpeg can also convert from any sample rate to any other, and resize
video on the fly with a high quality polyphase filter.

@chapter Quick Start

@c man begin EXAMPLES
@section Video and Audio grabbing

FFmpeg can use a video4linux compatible video source and any Open Sound
System audio source:

@example
ffmpeg /tmp/out.mpg
@end example

Note that you must activate the right video source and channel before
launching FFmpeg with any TV viewer such as xawtv
(@url{http://bytesex.org/xawtv/}) by Gerd Knorr. You also
have to set the audio recording levels correctly with a
standard mixer.

@section X11 grabbing

FFmpeg can grab X11 display.

@example
ffmpeg -f x11grab -vd x11:0.0 /tmp/out.mpg
@end example

0.0 is display.screen numbers of your X11 server.
You can check $DISPLAY variable.

@section Video and Audio file format conversion

* FFmpeg can use any supported file format and protocol as input:

Examples:

* You can use YUV files as input:

@example
ffmpeg -i /tmp/test%d.Y /tmp/out.mpg
@end example

It will use the files:
@example
/tmp/test0.Y, /tmp/test0.U, /tmp/test0.V,
/tmp/test1.Y, /tmp/test1.U, /tmp/test1.V, etc...
@end example

The Y files use twice the resolution of the U and V files. They are
raw files, without header. They can be generated by all decent video
decoders. You must specify the size of the image with the @option{-s} option
if FFmpeg cannot guess it.

* You can input from a raw YUV420P file:

@example
ffmpeg -i /tmp/test.yuv /tmp/out.avi
@end example

test.yuv is a file containing raw YUV planar data. Each frame is composed
of the Y plane followed by the U and V planes at half vertical and
horizontal resolution.

* You can output to a raw YUV420P file:

@example
ffmpeg -i mydivx.avi hugefile.yuv
@end example

* You can set several input files and output files:

@example
ffmpeg -i /tmp/a.wav -s 640x480 -i /tmp/a.yuv /tmp/a.mpg
@end example

Converts the audio file a.wav and the raw YUV video file a.yuv
to MPEG file a.mpg.

* You can also do audio and video conversions at the same time:

@example
ffmpeg -i /tmp/a.wav -ar 22050 /tmp/a.mp2
@end example

Converts a.wav to MPEG audio at 22050Hz sample rate.

* You can encode to several formats at the same time and define a
mapping from input stream to output streams:

@example
ffmpeg -i /tmp/a.wav -ab 64 /tmp/a.mp2 -ab 128 /tmp/b.mp2 -map 0:0 -map 0:0
@end example

Converts a.wav to a.mp2 at 64 kbits and to b.mp2 at 128 kbits. '-map
file:index' specifies which input stream is used for each output
stream, in the order of the definition of output streams.

* You can transcode decrypted VOBs

@example
ffmpeg -i snatch_1.vob -f avi -vcodec mpeg4 -b 800k -g 300 -bf 2 -acodec mp3 -ab 128 snatch.avi
@end example

This is a typical DVD ripping example; the input is a VOB file, the
output an AVI file with MPEG-4 video and MP3 audio. Note that in this
command we use B-frames so the MPEG-4 stream is DivX5 compatible, and
GOP size is 300 which means one intra frame every 10 seconds for 29.97fps
input video. Furthermore, the audio stream is MP3-encoded so you need
to enable LAME support by passing @code{--enable-mp3lame} to configure.
The mapping is particularly useful for DVD transcoding
to get the desired audio language.

NOTE: To see the supported input formats, use @code{ffmpeg -formats}.
@c man end

@chapter Invocation

@section Syntax

The generic syntax is:

@example
@c man begin SYNOPSIS
ffmpeg [[infile options][@option{-i} @var{infile}]]... @{[outfile options] @var{outfile}@}...
@c man end
@end example
@c man begin DESCRIPTION
If no input file is given, audio/video grabbing is done.

As a general rule, options are applied to the next specified
file. Therefore, order is important, and you can have the same
option on the command line multiple times. Each occurrence is
then applied to the next input or output file.

* To set the video bitrate of the output file to 64kbit/s:
@example
ffmpeg -i input.avi -b 64k output.avi
@end example

* To force the frame rate of the input and output file to 24 fps:
@example
ffmpeg -r 24 -i input.avi output.avi
@end example

* To force the frame rate of the output file to 24 fps:
@example
ffmpeg -i input.avi -r 24 output.avi
@end example

* To force the frame rate of input file to 1 fps and the output file to 24 fps:
@example
ffmpeg -r 1 -i input.avi -r 24 output.avi
@end example

The format option may be needed for raw input files.

By default, FFmpeg tries to convert as losslessly as possible: It
uses the same audio and video parameters for the outputs as the one
specified for the inputs.
@c man end

@c man begin OPTIONS
@section Main options

@table @option
@item -L
Show license.

@item -h
Show help.

@item -version
Show version.

@item -formats
Show available formats, codecs, protocols, ...

@item -f fmt
Force format.

@item -i filename
input filename

@item -y
Overwrite output files.

@item -t duration
Set the recording time in seconds.
@code{hh:mm:ss[.xxx]} syntax is also supported.

@item -fs limit_size
Set the file size limit.

@item -ss position
Seek to given time position in seconds.
@code{hh:mm:ss[.xxx]} syntax is also supported.

@item -itsoffset offset
Set the input time offset in seconds.
@code{[-]hh:mm:ss[.xxx]} syntax is also supported.
This option affects all the input files that follow it.
The offset is added to the timestamps of the input files.
Specifying a positive offset means that the corresponding
streams are delayed by 'offset' seconds.

@item -title string
Set the title.

@item -timestamp time
Set the timestamp.

@item -author string
Set the author.

@item -copyright string
Set the copyright.

@item -comment string
Set the comment.

@item -album string
Set the album.

@item -track number
Set the track.

@item -year number
Set the year.

@item -v verbose
Control amount of logging.

@item -target type
Specify target file type ("vcd", "svcd", "dvd", "dv", "dv50", "pal-vcd",
"ntsc-svcd", ... ). All the format options (bitrate, codecs,
buffer sizes) are then set automatically. You can just type:

@example
ffmpeg -i myfile.avi -target vcd /tmp/vcd.mpg
@end example

Nevertheless you can specify additional options as long as you know
they do not conflict with the standard, as in:

@example
ffmpeg -i myfile.avi -target vcd -bf 2 /tmp/vcd.mpg
@end example

@item -dframes number
Set the number of data frames to record.

@item -scodec codec
Force subtitle codec ('copy' to copy stream).

@item -newsubtitle
Add a new subtitle stream to the current output stream.

@item -slang code
Set the ISO 639 language code (3 letters) of the current subtitle stream.

@end table

@section Video Options

@table @option
@item -b bitrate
Set the video bitrate in bit/s (default = 200 kb/s).
@item -vframes number
Set the number of video frames to record.
@item -r fps
Set frame rate (Hz value, fraction or abbreviation), (default = 25).
@item -s size
Set frame size. The format is @samp{wxh} (default = 160x128).
The following abbreviations are recognized:
@table @samp
@item sqcif
128x96
@item qcif
176x144
@item cif
352x288
@item 4cif
704x576
@end table

@item -aspect aspect
Set aspect ratio (4:3, 16:9 or 1.3333, 1.7777).
@item -croptop size
Set top crop band size (in pixels).
@item -cropbottom size
Set bottom crop band size (in pixels).
@item -cropleft size
Set left crop band size (in pixels).
@item -cropright size
Set right crop band size (in pixels).
@item -padtop size
Set top pad band size (in pixels).
@item -padbottom size
Set bottom pad band size (in pixels).
@item -padleft size
Set left pad band size (in pixels).
@item -padright size
Set right pad band size (in pixels).
@item -padcolor (hex color)
Set color of padded bands. The value for padcolor is expressed
as a six digit hexadecimal number where the first two digits
represent red, the middle two digits green and last two digits
blue (default = 000000 (black)).
@item -vn
Disable video recording.
@item -bt tolerance
Set video bitrate tolerance (in bit/s).
@item -maxrate bitrate
Set max video bitrate tolerance (in bit/s).
@item -minrate bitrate
Set min video bitrate tolerance (in bit/s).
@item -bufsize size
Set rate control buffer size (in bits).
@item -vcodec codec
Force video codec to @var{codec}. Use the @code{copy} special value to
tell that the raw codec data must be copied as is.
@item -sameq
Use same video quality as source (implies VBR).

@item -pass n
Select the pass number (1 or 2). It is useful to do two pass
encoding. The statistics of the video are recorded in the first
pass and the video is generated at the exact requested bitrate
in the second pass.

@item -passlogfile file
Set two pass logfile name to @var{file}.

@item -newvideo
Add a new video stream to the current output stream.

@end table

@section Advanced Video Options

@table @option
@item -pix_fmt format
Set pixel format.
@item -g gop_size
Set the group of pictures size.
@item -intra
Use only intra frames.
@item -vdt n
Discard threshold.
@item -qscale q
Use fixed video quantizer scale (VBR).
@item -qmin q
minimum video quantizer scale (VBR)
@item -qmax q
maximum video quantizer scale (VBR)
@item -qdiff q
maximum difference between the quantizer scales (VBR)
@item -qblur blur
video quantizer scale blur (VBR)
@item -qcomp compression
video quantizer scale compression (VBR)

@item -lmin lambda
minimum video lagrange factor (VBR)
@item -lmax lambda
max video lagrange factor (VBR)
@item -mblmin lambda
minimum macroblock quantizer scale (VBR)
@item -mblmax lambda
maximum macroblock quantizer scale (VBR)

These four options (lmin, lmax, mblmin, mblmax) use 'lambda' units,
but you may use the QP2LAMBDA constant to easily convert from 'q' units:
@example
ffmpeg -i src.ext -lmax 21*QP2LAMBDA dst.ext
@end example

@item -rc_init_cplx complexity
initial complexity for single pass encoding
@item -b_qfactor factor
qp factor between P- and B-frames
@item -i_qfactor factor
qp factor between P- and I-frames
@item -b_qoffset offset
qp offset between P- and B-frames
@item -i_qoffset offset
qp offset between P- and I-frames
@item -rc_eq equation
Set rate control equation (@pxref{FFmpeg formula
evaluator}) (default = @code{tex^qComp}).
@item -rc_override override
rate control override for specific intervals
@item -me method
Set motion estimation method to @var{method}.
Available methods are (from lowest to best quality):
@table @samp
@item zero
Try just the (0, 0) vector.
@item phods
@item log
@item x1
@item epzs
(default method)
@item full
exhaustive search (slow and marginally better than epzs)
@end table

@item -dct_algo algo
Set DCT algorithm to @var{algo}. Available values are:
@table @samp
@item 0
FF_DCT_AUTO (default)
@item 1
FF_DCT_FASTINT
@item 2
FF_DCT_INT
@item 3
FF_DCT_MMX
@item 4
FF_DCT_MLIB
@item 5
FF_DCT_ALTIVEC
@end table

@item -idct_algo algo
Set IDCT algorithm to @var{algo}. Available values are:
@table @samp
@item 0
FF_IDCT_AUTO (default)
@item 1
FF_IDCT_INT
@item 2
FF_IDCT_SIMPLE
@item 3
FF_IDCT_SIMPLEMMX
@item 4
FF_IDCT_LIBMPEG2MMX
@item 5
FF_IDCT_PS2
@item 6
FF_IDCT_MLIB
@item 7
FF_IDCT_ARM
@item 8
FF_IDCT_ALTIVEC
@item 9
FF_IDCT_SH4
@item 10
FF_IDCT_SIMPLEARM
@end table

@item -er n
Set error resilience to @var{n}.
@table @samp
@item 1
FF_ER_CAREFUL (default)
@item 2
FF_ER_COMPLIANT
@item 3
FF_ER_AGGRESSIVE
@item 4
FF_ER_VERY_AGGRESSIVE
@end table

@item -ec bit_mask
Set error concealment to @var{bit_mask}. @var{bit_mask} is a bit mask of
the following values:
@table @samp
@item 1
FF_EC_GUESS_MVS (default = enabled)
@item 2
FF_EC_DEBLOCK (default = enabled)
@end table

@item -bf frames
Use 'frames' B-frames (supported for MPEG-1, MPEG-2 and MPEG-4).
@item -mbd mode
macroblock decision
@table @samp
@item 0
FF_MB_DECISION_SIMPLE: Use mb_cmp (cannot change it yet in FFmpeg).
@item 1
FF_MB_DECISION_BITS: Choose the one which needs the fewest bits.
@item 2
FF_MB_DECISION_RD: rate distortion
@end table

@item -4mv
Use four motion vector by macroblock (MPEG-4 only).
@item -part
Use data partitioning (MPEG-4 only).
@item -bug param
Work around encoder bugs that are not auto-detected.
@item -strict strictness
How strictly to follow the standards.
@item -aic
Enable Advanced intra coding (h263+).
@item -umv
Enable Unlimited Motion Vector (h263+)

@item -deinterlace
Deinterlace pictures.
@item -ilme
Force interlacing support in encoder (MPEG-2 and MPEG-4 only).
Use this option if your input file is interlaced and you want
to keep the interlaced format for minimum losses.
The alternative is to deinterlace the input stream with
@option{-deinterlace}, but deinterlacing introduces losses.
@item -psnr
Calculate PSNR of compressed frames.
@item -vstats
Dump video coding statistics to @file{vstats_HHMMSS.log}.
@item -vhook module
Insert video processing @var{module}. @var{module} contains the module
name and its parameters separated by spaces.
@item -top n
top=1/bottom=0/auto=-1 field first
@item -dc precision
Intra_dc_precision.
@item -vtag fourcc/tag
Force video tag/fourcc.
@item -qphist
Show QP histogram.
@item -vbsf bitstream filter
Bitstream filters available are "dump_extra", "remove_extra", "noise".
@end table

@section Audio Options

@table @option
@item -aframes number
Set the number of audio frames to record.
@item -ar freq
Set the audio sampling frequency (default = 44100 Hz).
@item -ab bitrate
Set the audio bitrate in kbit/s (default = 64).
@item -ac channels
Set the number of audio channels (default = 1).
@item -an
Disable audio recording.
@item -acodec codec
Force audio codec to @var{codec}. Use the @code{copy} special value to
specify that the raw codec data must be copied as is.
@item -newaudio
Add a new audio track to the output file. If you want to specify parameters,
do so before @code{-newaudio} (@code{-acodec}, @code{-ab}, etc..).

Mapping will be done automatically, if the number of output streams is equal to
the number of input streams, else it will pick the first one that matches. You
can override the mapping using @code{-map} as usual.

Example:
@example
ffmpeg -i file.mpg -vcodec copy -acodec ac3 -ab 384 test.mpg -acodec mp2 -ab 192 -newaudio
@end example
@item -alang code
Set the ISO 639 language code (3 letters) of the current audio stream.
@end table

@section Advanced Audio options:

@table @option
@item -atag fourcc/tag
Force audio tag/fourcc.
@item -absf bitstream filter
Bitstream filters available are "dump_extra", "remove_extra", "noise", "mp3comp", "mp3decomp".
@end table

@section Subtitle options:

@table @option
@item -scodec codec
Force subtitle codec ('copy' to copy stream).
@item -newsubtitle
Add a new subtitle stream to the current output stream.
@item -slang code
Set the ISO 639 language code (3 letters) of the current subtitle stream.
@end table

@section Audio/Video grab options

@table @option
@item -vd device
sEt video grab device (e.g. @file{/dev/video0}).
@item -vc channel
Set video grab channel (DV1394 only).
@item -tvstd standard
Set television standard (NTSC, PAL (SECAM)).
@item -dv1394
Set DV1394 grab.
@item -ad device
Set audio device (e.g. @file{/dev/dsp}).
@item -grab format
Request grabbing using.
@item -gd device
Set grab device.
@end table

@section Advanced options

@table @option
@item -map input stream id[:input stream id]
Set stream mapping from input streams to output streams.
Just enumerate the input streams in the order you want them in the output.
[input stream id] sets the (input) stream to sync against.
@item -map_meta_data outfile:infile
Set meta data information of outfile from infile.
@item -debug
Print specific debug info.
@item -benchmark
Add timings for benchmarking.
@item -dump
Dump each input packet.
@item -hex
When dumping packets, also dump the payload.
@item -bitexact
Only use bit exact algorithms (for codec testing).
@item -ps size
Set packet size in bits.
@item -re
Read input at native frame rate. Mainly used to simulate a grab device.
@item -loop_input
Loop over the input stream. Currently it works only for image
streams. This option is used for automatic FFserver testing.
@item -loop_output number_of_times
Repeatedly loop output for formats that support looping such as animated GIF
(0 will loop the output infinitely).
@item -threads count
Thread count.
@item -vsync parameter
Video sync method. Video will be stretched/squeezed to match the timestamps,
it is done by duplicating and dropping frames. With -map you can select from
which stream the timestamps should be taken. You can leave either video or
audio unchanged and sync the remaining stream(s) to the unchanged one.
@item -async samples_per_second
Audio sync method. "Stretches/squeezes" the audio stream to match the timestamps,
the parameter is the maximum samples per second by which the audio is changed.
-async 1 is a special case where only the start of the audio stream is corrected
without any later correction.
@end table

@node FFmpeg formula evaluator
@section FFmpeg formula evaluator

When evaluating a rate control string, FFmpeg uses an internal formula
evaluator.

The following binary operators are available: @code{+}, @code{-},
@code{*}, @code{/}, @code{^}.

The following unary operators are available: @code{+}, @code{-},
@code{(...)}.

The following functions are available:
@table @var
@item sinh(x)
@item cosh(x)
@item tanh(x)
@item sin(x)
@item cos(x)
@item tan(x)
@item exp(x)
@item log(x)
@item squish(x)
@item gauss(x)
@item abs(x)
@item max(x, y)
@item min(x, y)
@item gt(x, y)
@item lt(x, y)
@item eq(x, y)
@item bits2qp(bits)
@item qp2bits(qp)
@end table

The following constants are available:
@table @var
@item PI
@item E
@item iTex
@item pTex
@item tex
@item mv
@item fCode
@item iCount
@item mcVar
@item var
@item isI
@item isP
@item isB
@item avgQP
@item qComp
@item avgIITex
@item avgPITex
@item avgPPTex
@item avgBPTex
@item avgTex
@end table

@c man end

@ignore

@setfilename ffmpeg
@settitle FFmpeg video converter

@c man begin SEEALSO
ffserver(1), ffplay(1) and the HTML documentation of @file{ffmpeg}.
@c man end

@c man begin AUTHOR
Fabrice Bellard
@c man end

@end ignore

@section Protocols

The filename can be @file{-} to read from standard input or to write
to standard output.

FFmpeg also handles many protocols specified with an URL syntax.

Use 'ffmpeg -formats' to see a list of the supported protocols.

The protocol @code{http:} is currently used only to communicate with
FFserver (see the FFserver documentation). When FFmpeg will be a
video player it will also be used for streaming :-)

@chapter Tips

@itemize
@item For streaming at very low bitrate application, use a low frame rate
and a small GOP size. This is especially true for RealVideo where
the Linux player does not seem to be very fast, so it can miss
frames. An example is:

@example
ffmpeg -g 3 -r 3 -t 10 -b 50k -s qcif -f rv10 /tmp/b.rm
@end example

@item  The parameter 'q' which is displayed while encoding is the current
quantizer. The value 1 indicates that a very good quality could
be achieved. The value 31 indicates the worst quality. If q=31 appears
too often, it means that the encoder cannot compress enough to meet
your bitrate. You must either increase the bitrate, decrease the
frame rate or decrease the frame size.

@item If your computer is not fast enough, you can speed up the
compression at the expense of the compression ratio. You can use
'-me zero' to speed up motion estimation, and '-intra' to disable
motion estimation completely (you have only I-frames, which means it
is about as good as JPEG compression).

@item To have very low audio bitrates, reduce the sampling frequency
(down to 22050 kHz for MPEG audio, 22050 or 11025 for AC3).

@item To have a constant quality (but a variable bitrate), use the option
'-qscale n' when 'n' is between 1 (excellent quality) and 31 (worst
quality).

@item When converting video files, you can use the '-sameq' option which
uses the same quality factor in the encoder as in the decoder.
It allows almost lossless encoding.

@end itemize


@chapter external libraries

FFmpeg can be hooked up with a number of external libraries to add support
for more formats.

@section AMR

AMR comes in two different flavors, WB and NB. FFmpeg can make use of the
AMR WB (floating-point mode) and the AMR NB (both floating-point and
fixed-point mode) reference decoders and encoders.

@itemize

@item For AMR WB floating-point download TS26.204 V5.1.0 from
@url{http://www.3gpp.org/ftp/Specs/archive/26_series/26.204/26204-510.zip}
and extract the source to @file{libavcodec/amrwb_float/}.

@item For AMR NB floating-point download TS26.104 REL-5 V5.1.0 from
@url{http://www.3gpp.org/ftp/Specs/archive/26_series/26.104/26104-510.zip}
and extract the source to @file{libavcodec/amr_float/}.
If you try this on Alpha, you may need to change @code{Word32} to
@code{int} in @file{amr/typedef.h}.

@item For AMR NB fixed-point download TS26.073 REL-5 V5.1.0 from
@url{http://www.3gpp.org/ftp/Specs/archive/26_series/26.073/26073-510.zip}
and extract the source to @file{libavcodec/amr}.
You must also add @code{-DMMS_IO} and remove @code{-pedantic-errors}
to/from @code{CFLAGS} in @file{libavcodec/amr/makefile}, i.e.
``@code{CFLAGS = -Wall -I. \$(CFLAGS_\$(MODE)) -D\$(VAD) -DMMS_IO}''.

@end itemize


@chapter Supported File Formats and Codecs

You can use the @code{-formats} option to have an exhaustive list.

@section File Formats

FFmpeg supports the following file formats through the @code{libavformat}
library:

@multitable @columnfractions .4 .1 .1 .4
@item Supported File Format @tab Encoding @tab Decoding @tab Comments
@item MPEG audio @tab X @tab X
@item MPEG-1 systems @tab X  @tab  X
@tab muxed audio and video
@item MPEG-2 PS @tab X  @tab  X
@tab also known as @code{VOB} file
@item MPEG-2 TS @tab    @tab  X
@tab also known as DVB Transport Stream
@item ASF@tab X @tab X
@item AVI@tab X @tab X
@item WAV@tab X @tab X
@item Macromedia Flash@tab X @tab X
@tab Only embedded audio is decoded.
@item FLV              @tab  X @tab X
@tab Macromedia Flash video files
@item Real Audio and Video @tab X @tab X
@item Raw AC3 @tab X  @tab  X
@item Raw MJPEG @tab X  @tab  X
@item Raw MPEG video @tab X  @tab  X
@item Raw PCM8/16 bits, mulaw/Alaw@tab X  @tab  X
@item Raw CRI ADX audio @tab X  @tab  X
@item Raw Shorten audio @tab    @tab  X
@item SUN AU format @tab X  @tab  X
@item NUT @tab X @tab X @tab NUT Open Container Format
@item QuickTime        @tab X @tab  X
@item MPEG-4           @tab X @tab  X
@tab MPEG-4 is a variant of QuickTime.
@item Raw MPEG4 video  @tab  X @tab  X
@item DV               @tab  X @tab  X
@item 4xm              @tab    @tab X
@tab 4X Technologies format, used in some games.
@item Playstation STR  @tab    @tab X
@item Id RoQ           @tab    @tab X
@tab Used in Quake III, Jedi Knight 2, other computer games.
@item Interplay MVE    @tab    @tab X
@tab Format used in various Interplay computer games.
@item WC3 Movie        @tab    @tab X
@tab Multimedia format used in Origin's Wing Commander III computer game.
@item Sega FILM/CPK    @tab    @tab X
@tab Used in many Sega Saturn console games.
@item Westwood Studios VQA/AUD  @tab    @tab X
@tab Multimedia formats used in Westwood Studios games.
@item Id Cinematic (.cin) @tab    @tab X
@tab Used in Quake II.
@item FLIC format      @tab    @tab X
@tab .fli/.flc files
@item Sierra VMD       @tab    @tab X
@tab Used in Sierra CD-ROM games.
@item Sierra Online    @tab    @tab X
@tab .sol files used in Sierra Online games.
@item Matroska         @tab    @tab X
@item Electronic Arts Multimedia    @tab    @tab X
@tab Used in various EA games; files have extensions like WVE and UV2.
@item Nullsoft Video (NSV) format @tab    @tab X
@item ADTS AAC audio @tab X @tab X
@item Creative VOC @tab X @tab X @tab Created for the Sound Blaster Pro.
@item American Laser Games MM  @tab    @tab X
@tab Multimedia format used in games like Mad Dog McCree
@item AVS @tab    @tab X
@tab Multimedia format used by the Creature Shock game.
@item Smacker @tab    @tab X
@tab Multimedia format used by many games.
@item GXF @tab  X @tab X
@tab General eXchange Format SMPTE 360M, used by Thomson Grass Valley playout servers.
@item CIN @tab    @tab X
@tab Multimedia format used by Delphine Software games.
@item MXF @tab    @tab X
@tab Material eXchange Format SMPTE 377M, used by D-Cinema, broadcast industry.
@item SEQ @tab    @tab X
@tab Tiertex .seq files used in the DOS CDROM version of the game Flashback.
@end multitable

@code{X} means that encoding (resp. decoding) is supported.

@section Image Formats

FFmpeg can read and write images for each frame of a video sequence. The
following image formats are supported:

@multitable @columnfractions .4 .1 .1 .4
@item Supported Image Format @tab Encoding @tab Decoding @tab Comments
@item PGM, PPM     @tab X @tab X
@item PAM          @tab X @tab X @tab PAM is a PNM extension with alpha support.
@item PGMYUV       @tab X @tab X @tab PGM with U and V components in YUV 4:2:0
@item JPEG         @tab X @tab X @tab Progressive JPEG is not supported.
@item .Y.U.V       @tab X @tab X @tab one raw file per component
@item animated GIF @tab X @tab X @tab Only uncompressed GIFs are generated.
@item PNG          @tab X @tab X @tab 2 bit and 4 bit/pixel not supported yet.
@item Targa        @tab   @tab X @tab Targa (.TGA) image format.
@item TIFF         @tab   @tab X @tab Only 24 bit/pixel images are supported.
@item SGI          @tab X @tab X @tab SGI RGB image format
@end multitable

@code{X} means that encoding (resp. decoding) is supported.

@section Video Codecs

@multitable @columnfractions .4 .1 .1 .4
@item Supported Codec @tab Encoding @tab Decoding @tab Comments
@item MPEG-1 video           @tab  X  @tab  X
@item MPEG-2 video           @tab  X  @tab  X
@item MPEG-4                 @tab  X  @tab  X
@item MSMPEG4 V1             @tab  X  @tab  X
@item MSMPEG4 V2             @tab  X  @tab  X
@item MSMPEG4 V3             @tab  X  @tab  X
@item WMV7                   @tab  X  @tab  X
@item WMV8                   @tab  X  @tab  X @tab not completely working
@item WMV9                   @tab     @tab  X @tab not completely working
@item VC1                    @tab     @tab  X
@item H.261                  @tab  X  @tab  X
@item H.263(+)               @tab  X  @tab  X @tab also known as RealVideo 1.0
@item H.264                  @tab     @tab  X
@item RealVideo 1.0          @tab  X  @tab  X
@item RealVideo 2.0          @tab  X  @tab  X
@item MJPEG                  @tab  X  @tab  X
@item lossless MJPEG         @tab  X  @tab  X
@item JPEG-LS                @tab  X  @tab  X @tab fourcc: MJLS, lossless and near-lossless is supported
@item Apple MJPEG-B          @tab     @tab  X
@item Sunplus MJPEG          @tab     @tab  X @tab fourcc: SP5X
@item DV                     @tab  X  @tab  X
@item HuffYUV                @tab  X  @tab  X
@item FFmpeg Video 1         @tab  X  @tab  X @tab experimental lossless codec (fourcc: FFV1)
@item FFmpeg Snow            @tab  X  @tab  X @tab experimental wavelet codec (fourcc: SNOW)
@item Asus v1                @tab  X  @tab  X @tab fourcc: ASV1
@item Asus v2                @tab  X  @tab  X @tab fourcc: ASV2
@item Creative YUV           @tab     @tab  X @tab fourcc: CYUV
@item Sorenson Video 1       @tab  X  @tab  X @tab fourcc: SVQ1
@item Sorenson Video 3       @tab     @tab  X @tab fourcc: SVQ3
@item On2 VP3                @tab     @tab  X @tab still experimental
@item On2 VP5                @tab     @tab  X @tab fourcc: VP50
@item On2 VP6                @tab     @tab  X @tab fourcc: VP62
@item Theora                 @tab     @tab  X @tab still experimental
@item Intel Indeo 3          @tab     @tab  X
@item FLV                    @tab  X  @tab  X @tab Sorenson H.263 used in Flash
@item Flash Screen Video     @tab     @tab  X @tab fourcc: FSV1
@item ATI VCR1               @tab     @tab  X @tab fourcc: VCR1
@item ATI VCR2               @tab     @tab  X @tab fourcc: VCR2
@item Cirrus Logic AccuPak   @tab     @tab  X @tab fourcc: CLJR
@item 4X Video               @tab     @tab  X @tab Used in certain computer games.
@item Sony Playstation MDEC  @tab     @tab  X
@item Id RoQ                 @tab     @tab  X @tab Used in Quake III, Jedi Knight 2, other computer games.
@item Xan/WC3                @tab     @tab  X @tab Used in Wing Commander III .MVE files.
@item Interplay Video        @tab     @tab  X @tab Used in Interplay .MVE files.
@item Apple Animation        @tab     @tab  X @tab fourcc: 'rle '
@item Apple Graphics         @tab     @tab  X @tab fourcc: 'smc '
@item Apple Video            @tab     @tab  X @tab fourcc: rpza
@item Apple QuickDraw        @tab     @tab  X @tab fourcc: qdrw
@item Cinepak                @tab     @tab  X
@item Microsoft RLE          @tab     @tab  X
@item Microsoft Video-1      @tab     @tab  X
@item Westwood VQA           @tab     @tab  X
@item Id Cinematic Video     @tab     @tab  X @tab Used in Quake II.
@item Planar RGB             @tab     @tab  X @tab fourcc: 8BPS
@item FLIC video             @tab     @tab  X
@item Duck TrueMotion v1     @tab     @tab  X @tab fourcc: DUCK
@item Duck TrueMotion v2     @tab     @tab  X @tab fourcc: TM20
@item VMD Video              @tab     @tab  X @tab Used in Sierra VMD files.
@item MSZH                   @tab     @tab  X @tab Part of LCL
@item ZLIB                   @tab  X  @tab  X @tab Part of LCL, encoder experimental
@item TechSmith Camtasia     @tab     @tab  X @tab fourcc: TSCC
@item IBM Ultimotion         @tab     @tab  X @tab fourcc: ULTI
@item Miro VideoXL           @tab     @tab  X @tab fourcc: VIXL
@item QPEG                   @tab     @tab  X @tab fourccs: QPEG, Q1.0, Q1.1
@item LOCO                   @tab     @tab  X @tab
@item Winnov WNV1            @tab     @tab  X @tab
@item Autodesk Animator Studio Codec  @tab     @tab  X @tab fourcc: AASC
@item Fraps FPS1             @tab     @tab  X @tab